Gould’s Creaking Chair, Schoenberg’s Metric Clarity
نویسندگان
چکیده
The audible creaking of Glenn Gould’s loose-jointed piano chair has historically been the subject apologetic liner notes and recording studio memoirs. These creaks are here recognized as “sounded movements” body. This article triangulates score Schoenberg’s Sechs kleine Klavierstücke , op. 19, no. 1, published analyses its unique rhythmic unfolding, new micro-temporal measurements September 1965 work. Quantifying Sanden’s concept “corporeal liveness,” spectrographic tools used to generate a proper census all sounds captured by microphone in order map their interaction. A notable “creak gap” is linked observations regarding work’s process emerging metric clarity, one vocal elaborations for augmentation pitch material. Overlaying analytical literature with microtiming data reveals correlation between composition’s trajectory clarification decrease physical motion. findings question pervasive disturbing suppression non-notated that accompany notated music. Recognizing normally marginalized, this study fuses theoretical about composition audio artifacts corporeality.
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ژورنال
عنوان ژورنال: Music Theory Online
سال: 2021
ISSN: ['1067-3040']
DOI: https://doi.org/10.30535/mto.27.1.1